"It is your turn to say something now, Mr. Darcy. I talked about the dance, and you ought to make some sort of remark on the size of the room, or the number of couples."
He smiled, and assured her that whatever she wished him to say should be said.
"Very well. That reply will do for the present. Perhaps by and by I may observe that private balls are much pleasanter than public ones. But now we may be silent."
"Do you talk by rule, then, while you are dancing?"
"Sometimes. One must speak a little, you know. It would look odd to be entirely silent for half an hour together; and yet for the advantage of some, conversation ought to be so arranged, as that they may have the trouble of saying as little as possible."
"Are you consulting your own feelings in the present case, or do you imagine that you are gratifying mine?"
"Both," replied Elizabeth archly; "for I have always seen a great similarity in the turn of our minds. We are each of an unsocial, taciturn disposition, unwilling to speak, unless we expect to say something that will amaze the whole room, and be handed down to posterity with all the eclat of a proverb."
"This is no very striking resemblance of your own character, I am sure," said he. "How near it may be to mine, I cannot pretend to say. You think it a faithful portrait undoubtedly."
"I must not decide on my own performance."
He made no answer, and they were again silent till they had gone down the dance, when he asked her if she and her sisters did not very often walk to Meryton. She answered in the affirmative, and, unable to resist the temptation, added, "When you met us there the other day, we had just been forming a new acquaintance."
The effect was immediate. A deeper shade of hauteur overspread his features, but he said not a word, and Elizabeth, though blaming herself for her own weakness, could not go on. At length Darcy spoke, and in a constrained manner said, "Mr. Wickham is blessed with such happy manners as may ensure his making friends - whether he may be equally capable of retaining them, is less certain."
"He has been so unlucky as to lose your friendship," replied Elizabeth with emphasis, "and in a manner which he is likely to suffer from all his life."
Darcy made no answer, and seemed desirous of changing the subject. At that moment, Sir William Lucas appeared close to them, meaning to pass through the set to the other side of the room; but on perceiving Mr. Darcy, he stopped with a bow of superior courtesy to compliment him on his dancing and his partner.
"I have been most highly gratified indeed, my dear sir. Such very superior dancing is not often seen. It is evident that you belong to the first circles. Allow me to say, however, that your fair partner does not disgrace you, and that I must hope to have this pleasure often repeated, especially when a certain desirable event, my dear Eliza (glancing at her sister and Bingley,) shall take place. What congratulations will then flow in! I appeal to Mr. Darcy: - but let me not interrupt you, sir. - You will not thank me for detaining you from the bewitching converse of that young lady, whose bright eyes are also upbraiding me."
The latter part of this address was scarcely heard by Darcy; but Sir William's allusion to his friend seemed to strike him forcibly, and his eyes were directed with a very serious expression towards Bingley and Jane, who were dancing together. Recovering himself, however, shortly, he turned to his partner, and said, "Sir William's interruption has made me forget what we were talking of."
"I do not think we were speaking at all. Sir William could not have interrupted two people in the room who had less to say for themselves. We have tried two or three subjects already without success, and what we are to talk of next I cannot imagine."
"What think you of books?" said he, smiling.
"Books - Oh! no. I am sure we never read the same, or not with the same feelings."
"I am sorry you think so; but if that be the case, there can at least be no want of subject. - We may compare our different opinions."
"No - I cannot talk of books in a ball-room; my head is always full of something else."
"The present always occupies you in such scenes - does it?" said he, with a look of doubt.
"Yes, always," she replied, without knowing what she said, for her thoughts had wandered far from the subject, as soon afterwards appeared by her suddenly exclaiming, "I remember hearing you once say, Mr. Darcy, that you hardly ever forgave, that your resentment once created was unappeasable. You are very cautious, I suppose, as to its being created."
"I am," said he, with a firm voice.
"And never allow yourself to be blinded by prejudice?"
"I hope not."
"It is particularly incumbent on those who never change their opinion, to be secure of judging properly at first."
"May I ask to what these questions tend?"
"Merely to the illustration of your character," said she, endeavouring to shake off her gravity. "I am trying to make it out."
"And what is your success?"
She shook her head. "I do not get on at all. I hear such different accounts of you as puzzle me exceedingly."
"I can readily believe," answered he gravely, "that reports may vary greatly with respect to me; and I could wish, Miss Bennet, that you were not to sketch my character at the present moment, as there is reason to fear that the performance would reflect no credit on either."
"But if I do not take your likeness now, I may never have another opportunity."
"I would by no means suspend any pleasure of yours," he coldly replied. She said no more, and they went down the other dance and parted in silence; and on each side dissatisfied, though not to an equal degree, for in Darcy's breast there was a tolerable powerful feeling towards her, which soon procured her pardon, and directed all his anger against another.
Analysis:
Here we see an excellent example of the 'romantic' tension between Fitzwilliam and Elizabeth. Elizabeth, in all her Pride of being a judge of other people's characters, views Fitz in a Prejudiced light. She is more inclined to do so especially after Mr. Wickham, who is viewed by her very positively, relates to her about how he lost possession of a place to live because of Fitz.
While not exactly a clever exchange of witty lines between the two like what we usually see, this passage serves as a basis of the true relationship between Liz and Fitz, notably its rocky beginnings. Liz tells Fitz that she is trying to make out his character, but we can see that she chooses to only base it upon what others say about him instead of trying to discover it herself, and as a result is unable to judge him clearly. Fitz is hardly allowed a chance to clear himself of this misjudgement as he implores Liz "not to sketch my character at the present moment, as there is reason to fear that the performance would reflect no credit on either". But he still forgives her when she doesn't let up, due to his strong affection towards her.
This passage serves as a key focal point in the story as it builds up a foundation for the development of elizabeth and Fitzwilliam's romantic relationship later on in the novel.
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